Kickstarter and other
“crowdfunding” platforms have become extremely popular, taking the fundraising
and social media scene by storm. This site is already even part of Time Magazine's Best Websites of 2011. That's because every week, thousands of people upload
their creative projects to the website and pledge money with the hope of
getting their dream project funded. The catch is that on Kickstarter, a project
must reach its funding goal before its deadline or the money is not given to the
user.
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The
imminent benefit of using this platform is, of course, getting the necessary
funds to kick-start projects. Yet, Kickstarter is about more than just
money; I
find this website to have a superb underlying public relations power. Kickstarter
allows the user to share their stories, their hopes and dreams. Since most people
love compelling stories that exhibit genuineness and passion, and feel good
supporting a captivating cause, if it’s a good idea, communicated in an
attractive fashion, it’ll spread exponentially. Therefore, the buzz-generating
power of this platform is surreal.
Even
if the project doesn’t get funded, the storytelling aspect of Kickstarter
provides space for people to discover creative ideas, identify with the
storyteller, and for the user to get free exposure. Ultimately, this is what
publicists want.
As
publicists, we usually have to spend months and months securing spots on
national TV shows to get our clients the right exposure to the right audience.
Now we have platforms like this, where exposure is at no cost and almost hassle
free. Additionally, it lets the artist/user to connect directly with the people
that ultimately will buy their products. In a world where fans value
individuality and stories they can identify with, Kickstarter sounds like the
ideal tool to incorporate into Public Relations campaigns.
Therefore,
Kickstarter has not only financial potential but also it has great public relations
potential. Kickstarter
allows the user to showcase their work to prospective investors while building
a fan or clientele base. It wouldn’t surprise me if the next big hit will be discovered
through new platforms like Kickstarter instead of mainstream outlets such as
reality TV shows or saturated channels like Youtube. I not only encourage managers,
producers and talent seekers to be on the lookout for Kickstarter’s stars but
also for public relations professionals to incorporate fundraising platforms
like Kickstarter in their public relations campaigns. In the fast-paced world
we live in, our client’s communication strategies have to fit in with the new sociocultural
trends, be extremely cost effective and provide long lasting benefits. Seems
like incorporating Kickstarter into their public relations campaigns guarantees
this.
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